#might do a more in depth post later

[margle]

thinking about the parallels between cricket's arc with dee and the waitress's arc with charlie. and how they mimic the interesting ways iasip both follows and breaks sitcom traditions.

s16 demonstrates these parallels and differences with the bowling episode vs the gang gets cursed. the waitress and cricket are both now narratively removed from the people who catapulted them into the gang's radius of destructive behaviour.

the difference lies in how the characters have changed: cricket has only gotten more cartoonish and more entrenched into the sitcom formula of flanderisation. whereas the waitress has gotten more unpredictable. a crucial part of her characterisation is how she is a changing character: she has periods where she is doing well or really badly. but in the most recent season she seems to break away from the sitcom formula even more. her will-they-wont-they and stalker/victim arc with charlie kinda fizzled out in s12/13 when charlie actually banged the waitress. in sitcom tradition, this arc would have kept going until the show ended (like it was sort of meant to in s12).

but since then, her character has had a more vague purpose with the gang (in the same way cricket is no longer tied to any specific character). in s15, her plot's were nearly all related to dee instead of charlie: she became dee's foil. (she has had plots with dee in the past obviously but her wider arcs were usually surrounding charlie). in s16 this switch seemed to be finalised. in the gang goes bowling, charlie attempts to distract the waitress but neither character is fully into it. he is distracted and uninterested. it seems like the show is satirising the sitcom never-ending will-they-wont-they tradition. instead of sparking a new cycle of obsession from charlie, he runs off to play games.

cricket was tied with mac in s16. but his relationship with mac seemed purely to move the plot forward. he is still a sitcom-y character that is governed by the show's non-serialised format. he turns up for comedic value or an episode's plot. he doesn't seem to exist outside of the gang (a cricket's tale satirises his lack of a story beyond the gang) and never changes aside from getting more flanderised.

in comparison, there are many ways the waitress ignores sitcom traditions in the show: her appearance and wants changing between seasons, clearly always having a life away from the gang, proving she can move on from two separate long-running tropey romantic arcs (unrequited love with dennis and will-they-wont-they with charlie) instead of having them continue until the show ends, even breaking the long-running joke of no-one ever standing up for dee.

although they are both trapped in cycles, the waitress seems to be the opposite of the gang's and cricket's stagnancy.

[n7punk]

for all the None people who follow me and care about Trace Memory/Another Code (spoiler free I promise): if you're interested in the remaster, I recommend you only get it if you're getting it for the sequel that was never released in America. they changed a lot in Trace Memory (Another Code 1) and this isn't a "new is bad" thing (usually I prefer remasters), this is a "they cut puzzles, 'streamlined' the game, and reworked/removed the best scene in the entire game" kind of thing. the game undoubtedly looks better, but it's also missing some of the hand-drawn art that really added to its story. there are some improvements (the new voice acting is cool to have, especially having it be optional, and the way they implemented the autoplay feature for that is clever. there are some improved scenes they could rework with the benefit of 3D graphics and voice acting), but I don't think it should be your first Trace Memory experience.

if you can't get your hands on the DS line and an emulator isn't working for the puzzles (something I can see - some of them did actually need to be cut just for being janky or more difficult than they needed to be) and this is the only way you can ever experience the first game, I recommend it over not playing the game, I'm just saying it's not the original. from what I can tell they normed the style of the first game with the second, so it's brighter and all the dialogue and non-flashback cutscenes are rendered in game, which loses some of the impact of the stylistic comic panels. I never thought I'd prefer flat art to rendered cut scenes but in a game like this the hand-drawn, kinda gritty art did a LOT and the brightly-rendered 3D models just don't lend themselves to the mystery of all these people's deaths. I am excited to play the second game since, changes or not, this is the only way to experience it in America (like I said, I still recommend Another Code: Recollection if it's the only way you can experience Trace Memory), but I would say the remaster is mostly worth buying for the sequel if you like the original game.

[fistfightinganxietyandlosing]

Do you ever think about how everyone in the Mysterious Benedict Society is just a different flavor of neurodivergent or are you normal

[wonder-worker]

why did the wydevilles and richard III hate each other that much during edward iv's reign?

Hi! To get straight to the point – there is no evidence of hostility between the Woodvilles and Richard of Gloucester before 1483. On the contrary, their relationship during Edward IV’s reign seems to have been cordial and mutually cooperative. Elizabeth made Richard steward of some of her estates in 1469, increased his fee in 1473, and seems to have backed him against Clarence over the Warwick inheritance. Both of them clearly benefitted by Clarence’s downfall. Richard supported her sites of patronage, like Queen’s College, and he included her among those to ask prayers for when founding two new colleges at his northern homes, Bernard Castle and Middleham, in 1478 (we shouldn't see this as a mere formality, as his own mother was not included in the list). He also seems to have been on amicable terms with Elizabeth’s family: in 1481 her eldest son and her brother Anthony served under his command in Scotland; he raised Edward Woodville to a banneret; and in late March 1483 (just a few weeks before Edward IV’s death), Anthony had trusted Richard enough to nominate him as an arbiter in one of his disputes. Richard was also close to Katherine Haute, wife of Elizabeth’s cousin James, giving her a generous annuity from his estates. Historians have theorized she was his mistress as she shared the same name as his illegitimate daughter Katherine, but whatever the specifics of their dynamic, it does indicate closeness.  Also, as Rosemary Horrox points out in Richard III: A Study of Service, “the local interests of the duke and the Woodvilles coincided at several points, notably in Wales and East Anglia but also (briefly) in Richmondshire, where the queen’s mother, the dowager duchess of Bedford, held one third of the honour until 1472. Had the two interests been hostile, one would expect some evidence of local friction, but there is none”. Rather, Elizabeth and Richard engaged in independent land transactions with each other – for example, she bought the highly lucrative FitzLewis manors from him.

So while we don't know what they personally felt about each other, we do know that 1) there is no evidence at all of hostility on either side, and 2) the evidence we do have is one of mutual cooperation.

This is important to keep in mind when talking about the events in 1483. Most modern historians (Charles Ross, AJ Pollard, etc) have blamed Edward IV for his son’s deposition by claiming that he failed to reconcile the Woodvilles and Richard during his life, paving the way for tensions to erupt between their so-called factions after his death. Twisted leap of logic aside, this is ridiculously unfair: Edward cannot be blamed for “failing” to remedy tensions which literally did not exist during his life. He was not a prophet; he could not control events from the grave. There is no need to blame him for Richard’s shocking betrayal that we already know contemporaries were not able to foresee. During his life, Edward would have had every reason to believe that his wife and his brother would work together during his son’s minority. And he had good reason to believe this: while conflict between the Woodvilles and Richard did erupt in 1483, it was not inevitable and should not be viewed as such. Rather, in the aftermath of Edward’s death, Elizabeth Woodville seems to have expected to work with Richard. She took the king’s place in listening to his council, and Croyland reports that Richard was sending her deferring letters “[promising] to come and offer submission, fealty, and all that was due from him to his lord and king, Edward V, the first-born son of his brother the dead king and the queen”. Croyland also writes that the new king, Edward V, sent Anthony Woodville and Richard Gray, to “submit the conduct of everything to the will and discretion of his uncle the Duke of Gloucester”. We know that Edward V was planning on having an immediate coronation thanks to a letter he wrote to the burgesses of King’s Lynn, and according to Mancini, who quotes the young king, “as for the government of the kingdom, he had complete confidence in the peers of the realm and the queen [Elizabeth].” Considering what Croyland wrote above, the “peers of the realm” would have surely included his uncle Richard. Indeed, Anthony and Richard Gray trusted Richard enough to walk blindly into a trap; it’s difficult to understand how this was possible or why they weren’t better prepared if they truly disliked Richard (or, for that matter, if they had tried to exclude him from power). It’s possible - imo, very likely - that the Woodvilles would have been the most influential and dominant after Edward V’s coronation; that does seem to have been the view of contemporaries. But since the coronation never took place, and since Elizabeth and her family clearly wanted and expected to work with the council and peers of the realm – including (arguably especially) Richard – it’s not possible to read them as anything other than cooperative.  At the very least, based on what we know right now.

I don’t want this post to get too speculatory, because it’s not like we have video recordings of 1483 to know exactly what went down, but my basic point is that going by the information we have, it was entirely plausible for Richard and “the Queen’s kin” (which is what "the Woodvilles" were actually known as to contemporaries, both administratively and in chronicles) to work together. They had done so during Edward IV’s life, and the impression I get is that Eizabeth at least seems to have expected it to continue after his death. Presumably, Anthony and Richard Gray did as well.

I think there are two reasons most chroniclers and historians are so willing to believe the Woodvilles and Richard were "rivals":

One is hindsight: their explosive conflict in 1483 is retrospectively read backwards and applied to Edward IV’s reign as a whole despite the abundance of evidence (see: Anthony trusting Richard to arbitrate a dispute mere weeks earlier) that proves otherwise.

Historically speaking, however, the idea of a rivalry primarily stems from Ricardian propaganda that sought to vilify Elizabeth Woodville, reviving and doubling down on Warwick's earlier propaganda against her. She was framed as a disruptive queen and transgressive woman with an “ignoble” social-climbing family who dominated the government and "controlled" the king. His propaganda at that time also aimed to cast "the Woodvilles as the aggressors and [Richard] as the victim of circumstance", as Horrox has pointed out. Hence why you have Mancini claiming that Richard and Elizabeth hated each other and that her "jealousy" kept him out of court, or why Thomas More claimed that “the Queene and the Lordes of her bloode whiche highlye maligned the kynges kinred (as women commonly not of malice but of nature hate them whom their husbands love)’. This, as we should know by now, is nonsense. The conflict between Richard and the Woodvilles (most probably) originated in 1483 because of the existence of an unexpected minority and because of his actions against them, not by non-existent simmering tensions during Edward IV's reign.

Hope this helps!

*Thomas Gray Marquis of Dorset's alleged boast that "we are so important that even without the king's uncle we can make and enforce these decisions", as quoted by Mancini, is often taken as proof that the Woodvilles wanted ultimate dominance during Edward V's minority. However, there are ... a great many problems with this interpretation. One, we don't know if Dorset actually said something like this: after all, Croyland never claims any such thing in his own chronicle. Additionally, while it was (and is) popularly assumed that Elizabeth and Dorset wished to exclude Richard because they started the council without him, this makes no sense in context: Anthony Woodville, Richard Gray and the young King himself were also not present at that time. Does it make any sense at all to assume that the council was insulting these three figures (again, including the actual King) by convening before they arrived in London? Then why is it automatically assumed that it was meant to be an insult to Richard? Why are more pragmatic reasons never considered? After all, there was a 20+ day gap between Edward IV's death and Richard's arrival in London - governance of the entire country couldn't exactly be put on pause until then. Long story short, it's possible Mancini could misunderstood Dorset's statement/intent or - more likely - that he was unknowingly reflecting Ricardian propaganda specifically aimed to present Dorset in a bad light (as an aggressor who tried to exclude Richard, with Richard merely claiming his "rightful" place). And either way, even if he did say something along those lines, Dorset was not the senior or most influential member of the family: that was Elizabeth Woodville and his uncle Anthony. So Dorset's words - if he actually said something like that - can hardly be taken as evidence that his entire family felt the same, especially since Anthony & Dorset's own brother Richard Gray clearly went to dine with Richard in peace. Especially since we know Thomas obeyed his mother: he went with her into sanctuary, and he apparently tried to return to England from exile as she asked him to after she made a deal with Richard.

**The Woodvilles and Hastings do seem to have been at odds. This didn't stop them from working together during Edward's reign (we have plenty examples of them cooperating, there is no evidence of a divide between them in Edward IV's charters as there was for the Woodvilles & Nevilles in the 1460s, Hastings praised Elizabeth in 1480 and clearly recognized her superior influence with Edward IV, etc), but - unlike the case with Richard - there is genuine evidence of hostility between them. We don't know if this would have mattered as much if Edward V was an adult, or if he'd already been present at London at the time of Edward IV's death. But either way, we shouldn't exaggerate this or act as though it meant Edward V was doomed. It was very normal for different parties/families to have conflicts during minorities; it had happened to pretty much all minor kings prior to 1483, it had never stopped them from working together before, and it sure as hell had never led to usurpation. Moreover, if the Woodvilles and Richard had been able to work together, animosity between the Woodvilles and Hastings would not have mattered. There are indications that cooperation between them was entirely possible: Horrox has observed that the commissions agreed upon by the first council after Edward's death tried to balance out their interests. Lastly, we ... probably shouldn't overexaggerate Hastings' position after Edward IV's death, imo. He was very important and influential, yes, but he was also not a member of the immediate royal family; it's a pretty massive stretch to automatically assume he would have been as relevant as Elizabeth, the Woodvilles, or Richard during Edward V's minority. This can be supported by evidence: after Edward IV's death, his council gathered around Elizabeth, not Hastings; Richard sent messages promising to arrive and swear fealty to her, not Hastings; the final authority when it came to the young king rested with her, not Hastings. Moreover, once Richard and Buckingham came to power, Croyland explicitly states that Hastings wanted to "serve" them and "earn their favor". In other words, he was not leading the council himself. His reaction to Richard & Buckingham and Elizabeth & the Woodvilles may have been the opposite, but either way, the impression I get of Hastings' position in both scenarios seems to have been exactly the same: he was important and influential, but he was not the one in charge. Of course, this is just my personal interpretation - my main point is simply that while the Woodvilles and Hastings may have had problems, at the very least, there is no reason at all to assume this would have affected Edward V's position as King. His deposition was entirely unexpected, and very much the result of Richard's own unprecedented decisions.

[henriiiii-1001]

omg speaking of lesbian ruth:

ive also made that canon to unholy gift/my main au, and i would think it would be so funny that puppet is like "you want me soooo bad" and ruth just pulls out the lesbian flag

like

"reason no. 1: you're an alternate, im not interested in that. reason no. 2: you're a guy, im not interested in that."

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[sweetrole]

I think we should all aspire to have a friendship like Liam and Mason.

Mason went to fight a hellhound, as a human, with only a baseball bat, for Liam. He was prepared to die for his best friend.

Liam smashed a guys head into a mirror so hard it broke and sliced the guys face open because Mason was hurt. He was prepared to kill for his best friend.

Fucking friendship goals.

[nyxlarkyn]

Ruby's emotions and views are highlighted literally through her eyes:

I made a post here talking about how Ruby won't lose an eye because it's hidden from frame a lot with her hair or shadows, but rather another way to show us her emotional blocks.

Ruby only having one eye casted in shadows was because she was starting to fall into despair but could still see and find hope in the world. She saw the bright side of a dark situation.

Now she no longer can see the light of the world through better eyes, but rather all the dark and negative bits of it.

With this week's episode having a Ruby snap and lash out, both of her eyes are now in shadows rather than one. This is also the first time Ruby shows her negative emotions rather than hide and ignore them.

And as she moves from anger to sadness her eyes are fully casted in shadow, showing us how this moment is taking her deeper into this emotional crisis. We'll know when she starts to heal when her eyes are no longer casted in shadows, but bathed in light as silver eyes are meant to be.

Now she longer can see the light of the world through better eyes, but rather all the dark and negative bits of it.

[shining-gem34]

Dan Heng Headcanons

||Very delayed HC's about Dan Heng and Dan Feng.

This will mostly focus on appearance, personality, weapon choice, habits, and etc. in a bullet format (somewhat)

The Differences/Similarities between Dan Heng and Dan Feng

Appearance

Height: Dan Feng is taller than Dan Heng

Hair Highlights: As a Vidyadhara, Dan Heng has teal/turquoise highlights in the back of his hair. In previous appearances/artworks, Dan Feng had none of that except in his most recent appearance. It's hard to tell from this image, but if you look closely he has more of a deep blue highlights.

Notes: Dan Heng does have a singular red line in his hair, but it could be either an accessory or a red highlight. I'm personally leaning toward accessory. Dan Feng does not have this.

Makeup: In both of his forms, Dan Heng has crimson eyeliners on one or both eyes. Surprisingly, Dan Feng has no eyeliners or any signs of makeup on him.

Accessories: Other than the bracers and body accessories on their clothing, Dan Feng wears a singular red tassel earring on his right ear. Dan Heng IL wears a gold lotus earring and in his default form, he wears a pair of jade earlobe earrings connected by a string.

Extra Stuff: Overall, Dan Feng face shape is more angular/sharper compared to Dan Heng slight chubby cheeks. I interpret it as Dan Feng being older and mature. Dan Heng, even though he is almost at the point he's physically stops aging or already has, is still rather young.

Clothing Choice: They are both reserved people so they lean towards outfits that shows very little skin.

In the case of Dan Feng, he became accustomed to wearing luxurious and sometimes complicated outfits befitting of his status. While his taste in luxury is the same, he prefers a style that isn't cumbersome and easy to move in for day to day matters (especially during war).

For Dan Heng, he prefers outfits that are more casual compared to Dan Feng. They're not only easy to move in, but he can remain inconspicuous and not draw attention to himself. As long as he isn't noticeable, Dan Heng feels safe enough to move around. Regarding his IL form, he has little to no comments about the outfit. It's supposedly a traditional Yinyue Jun outfit that was forced upon him and he gotten used to wearing it over time.

Personality

Summary, their personalities are similar where they are very reserved individuals and prefer to keep themselves. Due to how they were raised/lived their lives, there are some differences.

Dan Feng learned to keep his emotions in check so you rarely see him lash out. If he is angry, truly angry, he silent at first but if he speaks- his words are biting, sharp, and without restraint. Dan Heng has a harder time if you strike him where it hurts the most. He may appear calm on the outside, but he is a whirlpool of emotions ready to snap at a second notice and it is not a nice thing to see.

As we keep hearing before, Dan Feng is said to be arrogant. He is seen as arrogant, because he is confident in himself; powerful, ethereal, and influential. He do what he must in order to lead his clan and appear as the perfect High Elder. Even if the Preceptors are unhappy with him, there is little they can do against him.

In contrast, Dan Heng is more humble than him. With everything he experienced up to this point, Dan Heng learned to appreciate whatever he has in life. He is confident in his abilities and strength, but he isn't "arrogant" (I forgot words here).

(More TBA. Most likely on a separate post)

Weapons/Abilities

Spears: DH and DF are both proficient in using the spear compared to other weapons. Between the two of them, DH is more spear-orientated than magic. (Other weapons might be in a separate post)

Cloudhymn Magic: In terms of potential, they are roughly equal but DF is obviously more experienced in this category and actually prefers to use Cloudhymn Magic. He finds it easy to wield as if it's an extension of his arm; no thoughts, just flick his finger and BOOM water explodes.

DH is rough around the edges, channeling what he knows from memories of the previous High Elders. Naturally, with years of hiding and running away, DH almost never needed to use magic. He is rather rusty around the edges. He is capable of doing great feats like DF, but he finds the feeling of magic foreign to him. (Will go through this more in separate post).

[unbreakingthegirl]

There is a user orbiting radblr who perpetrated the long-term in-person psychological (as well as sexual) abuse of me and another detransitioned radblr user, who also perpetrated the abuse of FtMs in our real-life circle. I don't think her blog is widely followed, but this is Tumblr, so I have no way of knowing. I am concerned because she has a pattern of purposefully seeking out vulnerable populations and I don't want radblr to become another place for her to continue.

I'm not making this post to cause drama and do not want to start any kind of altercation with her. I am concerned about retaliation and because of that I don't feel comfortable as of now tagging her blog or mentioning her url publicly. Please message me or ask off anon where I will be willing to answer any questions anyone might have and share her information.

[yelenasbraid]

home to me — joe burrow

summary — bengals are now 0-3, and joe couldn’t feel worse about it. luckily, you’re there to help pick up his broken pieces

warnings — fem!reader, major angst, fluff, crying joey (SORRY)

note — surprise! and don’t come after me!

YOU WATCH WITH AN ACHING HEART the last 4 seconds of the game. you wished so badly for a miracle, for an interception, for something to turn that 33 into anything higher than a 38. offense looked great, defense? you could do better than they did without the padding.

that was your bitterness talking.

you filed out of the stadium and down to where you usually met joe; outside the locker room. you knew that this wasn’t going to be the celebration you hoped for. you knew that joe wasn’t going to have that boyish grin on his face, and it broke your heart. you felt like you haven’t seen joe smile in weeks.

you stood there, anxiously swaying as you watched player after player shuffle in from the field. those who noticed you gave you a small, sad smile. others kept going, angry at themselves and at the world.

joe appeared at the end of the crowd of players, as he usually did, with his head down. his shoulders sagged, but it wasn’t until he looked up and locked eyes with you that you saw everything.

joe was devastated, and rightfully so.

he parted from the staff member and walked over to you, a small pep in his step as he did so. no words were spoken as he threw his arms around you, bringing you as close as he could get you. you embraced him back, cradling his head as he nuzzled into your neck.

he’s never done this before, even after a win. for joe to express this level of emotion right after a game was unusual. it worried you, but maybe you were overthinking. you hoped you were.

joe separated from you, sniffling and keeping the tears at bay. you held onto his hands and watched him with a worried eye.

“i’m fine,” he answered your silent question. you knew he wasn’t, and he knew that you knew. that much was obvious.

“ok,” you hummed, but that’s all you were going to say right now. you didn’t believe him, and he knew that. joe gave you a single look, his eyes opening a gateway into his heart, the depth of his sadness. he was beating himself up, and pretty badly too.

“i might be a minute, go on home. i’ll see you later,” he told you. driving separately wasn’t abnormal, sometimes you had to. especially if it was an away game. what was odd was the way he seemed to stick around, unable to move his feet.

“ok, i love you,” you reminded him. his face softened, letting your words permeate through the tension in his chest. he just needed to make it through the press conference.

“i love you,” he replied. he gave you a lingering kiss on the forehead before he stepped away. he didn’t want to, though. he wanted to stay where it was safe, where it was comfortable. he wanted to stay with you because he didn’t have to explain himself. somehow, you always knew.

—

you were showered and in your pajamas by the time joe got home. you sat on the couch, blanket draped over your legs and your phone in your hands. you saw the comments, the videos of disappointed fans. you saw the posts all about how much of an upset the loss was. the more you read on, the more you realized that the fans didn’t think joe was at fault. they’d be right, it wasn’t his fault.

your eyes flicked up from your phone as joe made his way further into the house. his footsteps are heavy, as is the rest of his body. he’s exhausted, and there’s only a thread keeping him from falling apart.

“babe?” you called out to him, and he slowly turned his eyes towards you. his eyes were puffy, his face was red; did he cry in the car on the way home? silence met your questioning tone, but it did stop him in his tracks.

usually after a bad game, or a loss, joe needed space. he’d trudge up to his office and stay there for a few hours, pouring over film and noting strategies they needed to try next time. he was still going to do those things, but tonight was different. you knew it was the second he hugged you like he did after the game.

“i’m fine,” he replied, his voice breaking. joe didn’t like crying, in fact, he hated it. but he grew used to it, learning that just because he cried didn’t mean he was any less or he was weak. it took him a while for him to trust you with that vulnerability, but once he did, the flood gates couldn’t be locked tight for long.

“you’re not,” you hummed softly. he knew he wasn’t, and he wasn’t trying hard enough to hide it. he screwed his eyes shut, trying to make the tears go away, but all it did was make his eyes burn more.

“don’t run away from me, don’t shut me out,” you stood up from your spot on the couch, slowly walking over to him. he was battling himself as he stood there, tears sliding down his raw cheeks. his mind was waging a war against him, telling him lies about himself and about how he played.

“why?” he asked you.

“why what?”

“i’ve lost three games, and i’ve treated you horribly after two of them. why are you still with me?” he voiced his vulnerability, his fear. his heart told him you wouldn’t leave him because of a losing streak, but the malicious whispers in his mind told him a different story.

“one, you apologized to me and we talked about it,” you started, “secondly, joey, i’m still with you because you are the love of my life. you’re there to pick me up when i’m down, you’re able to make me laugh, you’ve helped me put pieces of myself back together that you didn’t break in the first place. you’re protective, and you’re a fighter, that’s why i’m with you and will always be with you,” you finished, peering into his eyes. you saw your words sink in and start to meld him back together, but it wasn’t enough.

“i’ve lost three games, three. no matter how hard i fight, no matter how well i think i did, i can’t seem to win a damn game!” joe spoke through gritted teeth, his hands going through his hair. he’s frustrated, he’s angry, and he’s beating himself up. he’s not blaming the team, he’s blaming himself.

“all of these people, all of the fans, you, i’ve disappointed them. i’ve disappointed you, i promised myself that i was going to bring home a superbowl ring, for both of us, and if we keep losing-”

“stop, joey,” you interrupted his spiral with a soft hand to his chest. he’s panting, out of breath from the amount of anxiety he’s giving himself.

“listen to me, look at me,” you tilt his chin so his eyes meet yours, feeling the soft starts of scruff against your finger tips, “you did not disappoint me, and you most certainly didn’t disappoint the fans watching you tonight. you played well, you made decisive plays, you were quick to release the ball. you did your job and did it well. and you will get that super bowl ring, i believe that, and so do you. you’ve beat the odds before, you’ve showed the world to never underestimate joe burrow, the small town kid from athens, ohio. so, show them again. show them what this kid can do,” you went on, shining light on the things that made joe joe.

“i’ve failed that kid,” he whispered, afraid to say it out loud. he’s fought so hard his whole life, and he still fought. joe’s never given up and he doesn’t plan on it, but the anger hasn’t settled in yet. the vengeance hasn’t taken root yet.

“no, no love you didn’t, you haven’t. you didn’t fail him when you tore your acl, you didn’t fail him when you went to the superbowl, you didn’t fail him when you went to the afc championship, you didn’t fail him amidst the injuries and the doubts. that kid would do anything to play football, and that’s exactly what you’re doing,” you told him, cradling his cheek with your hand. you could see the crack in his hard exterior, the way his blue eyes showed the depths of his soul. you could see glimpses of baby joey, the anxiety that ran deep, that threatened to take hold.

when joe looked at you, that anxiety slithered away. it tucked its tail and ran; you were his god given solace. he felt at home, he felt the warmth and the safety that radiated off of you.

“what did i do to deserve you?” he asked, melting into your touch.

“absolutely nothing,” you replied. you took his hand, guiding him back to the couch. you sat down, resting your back against the arm rest. you didn’t have to offer him, joe just found himself laying against your chest, his arms wrapped around you. you wrapped your arms around him, kissing the top of his head and threading your fingers through his frosted tips.

“i’m so proud of you, you know that?” you asked.

“i do,” he replied. he melted into you, relaxing against the feeling of your fingers against his scalp and your steady heartbeat in your chest.

“panthers don’t stand a chance,” he mumbled against your chest, making you laugh.

“show em who’s boss, baby,” you chuckled. joe would always come home to you, which wasn’t always physically. sure, home was a place, but it was also a person. you were his home, and he was home as long as he was with you.

i wrote this in one sitting!!! it took some editing and some rethinking, but i’m pretty proud of it! this may not be totally accurate joe but whatevs. enjoy this lovely, angsty piece!

[orteil42]

Cookie Clicker turns 10 today! Having outlived our enemies, let us celebrate with a fresh batch of announcements!

🍪First of all, Cookie Clicker is 40% off on Steam this week! The perfect gift for your loved and/or hated ones! (the web version is still free forever but you don't get Steam achievements or music by C418!)

🍪Secondly! The mobile version has been lagging behind the browser game for years and is in dire need of an update. I've been dedicating most of my time recently to bringing its content up to par! Here's a progress report:

Compared to the current version, this update adds back 284 upgrades and 179 achievements from the web game, which leaves 83 upgrades and 94 achievements still unimplemented plus a good amount of heavenly upgrades. I am determined to close that gap!

Seasons and the pet dragon are currently partially implemented. These are complicated, compound features with side-effects in all kinds of places so once the update gets an alpha release I'll likely be needing everyone's help to hunt for bugs and oversights. I'm being as thorough as possible but there's no way I didn't forget some obscure interplay somewhere!

I'm also updating the UI! Cookie Clicker's interface makes heavy use of woodwork, which is largely absent from the mobile version; I've been aiming to bring it back. Rather than recycling desktop assets, I'm looking to push the game's visual identity towards less "plain wooden boards" and more "victorian biscuit shop" (something I'd have liked to go for when I first made the game but didn't quite know how yet). Here's some early screenshots!

I'm using Blender for the new assets, I might make a more in-depth post about my process in the future. Please note that these are experimental and I'm still fiddling with the look! Once I'm happy with it I'll ideally be giving the desktop game a similar makeover.

This update will hopefully come out later this year and will likely involve multiple rounds of alpha. Once stable, future updates will focus on adding sugar lumps and as many of the minigames as possible.

🍪Thirdly: the Makeship grandma plushie is real and we're doing a giveaway! Please read this twitter post to enter. Note that if the launch campaign succeeds we've got other plushies in mind! Maybe a wrinkler?

🍪Fourthly - there was going to be a really cool announcement here but I've been informed I'm not yet at liberty to discuss it. It's sooooo cool tho trust me. things happening. u gotta take my word for it. tune in next time

🍪Lastly:

i've got enough dough for like, idk 50 more? mom's recipe. white+dark+milk chocolate. they're very good thank you

PS. thank you for playing with us all these years! odds are some of you reading this have been here since the very start. that's mad to think about! Opti and I couldn't have done this for 10 whole years without all of you hyping us up. i want to see if we can do 10 more. get real freaky with it

[tteokdoroki]

nagi has beef with any of your pets cuz why do they get to lay around all day but he doesn’t :(

*ੈ🌩️‧₊˚— feline foe + seishiro nagi.

૮˶ᵕ ༝ᵕ˶ა synopsis — strangers to enemies except it’s nagi and your pet cat.

⭑ warnings — please read + mdni ! characters aged up to 20s, fluff, semi-smutty, mentions of sex, suggestive towards the end, dry humping, owning a cat lol, the cat walks in on you, established relationship, pro player!nagi, fem!reader - not beta read !

⭑ words — 2K.

⭑ notes — thank u lambie for sending me this ! i thought it was too cute an idea not to write! also i queued this to post on nagi’s bday so happy bday to my bf <3!! enjoy! - m.list ✩

it might sound vain, but nagi was sure that before it arrived, he was the centre of your universe.

he had all of your attention, always. you went out of your way to bring him lunches at the stadium during practices and helped him drink water or energy drinks on the pitch at his games because you liked to believe that it would bring him good luck and he let you. his teammates heave with jealousy each and every time.

when your days were done, you’d let nagi settle his head in your lap while you brush back his hair and scratch at his scalp — letting him game to his heart's content in your company. nagi might have been pampered too and much to the point where he expected to have all of your attention… so he doesn’t quite understand why all of it shifts to a brand new presence in your lives. 

your cat. 

miruku. milk.

it’s a ridiculous name for an animal, nagi thinks, it’s a pest. annoying. but he couldn’t say no to you when you’d brought the stray cream-coloured kitty home, soaked in rain from where you’d chased it around his apartment complex trying to bring it inside. if he said no to you, that would’ve been another issue in itself — and nagi hated when you fought. it was bothersome having you play silent treatment.

so you keep it, the kitten, and everything changes for seishiro nagi. for the worst.

miruku can do everything nagi isn’t allowed to nd gets away with it as well. he raids the fridge if you leave it open, doesn’t have to pay to replenish it because of course cats don’t have income. he wakes you up at ungodly hours for playtime which usually consists of you sitting on the edge of the bed and kicking around a ball of yarn for the kitty to play with. it’s irritating for nagi, having your warmth stolen away from him and pulling him out of the depths of slumber by your lack of presence— all because the stupid cat wants to play ball and you just can’t seem to say no to it. 

the feline that’s suspiciously close to looking like your boyfriend if he were to be an animal is also allowed to sleep in. miruku naps where he pleases, in the linen closet, the corner of the kitchen where the water pipes run hot, on top of the drier and especially by the front door where he trips up nagi on the way in from practices. it’s like the cat is purposely trying to make the pro-player’s life even more difficult than it’s meant to be and you find it’s every single movement adorable. 

the worst place miruku could possibly nap is seishiro’s favourite spot— on your chest. nuzzled against your boobs on a warm sunday afternoon where your boyfriend should be, where your boyfriend should be making you giggle by sucking hickies into your neck while he thumbs at the skin underneath your breasts. he should be suckling on the sweet expanse of your skin lazily, working you up just enough to offer yourself up to appease seishiro’s insatiable appetite.

and its so sick that he can’t because of your pampered little pet. you’d just brush him off and tell him ‘you’ll get your turn later, sei,’ which makes nagi hate that stupid fucking cat even more than anything.

you don’t ever let seishiro sleep in these days, ripping the blankets from his tall frame every morning with a slice of toast hanging from between your pretty lips as you say. “get up sei, wake up for me, baby.” you coo sweetly, briefly letting go of your breakfast to kiss his forehead before you rush out of the door. “i won’t be happy if isagi or reo have to wake you up for practice. ‘kay?”

“mmm…lil’ longer. please angel.” he groans but you weave your fingers through his snow white locks to scratch at his scalp before you tug on them slightly. 

“up. seishiro nagi. i’ll see you later!” the tone you use is warning, and prompts nagi to shift int he sheets to get out of bed. 

he huffs, stretching his limbs a little too similarly to your kitty companion before the realisation hits— miruku is laying in your spot, comfy and cosy. sleeping. and it only pisses him off more. that should be him.

“you’re a pain.” seishiro narrows his eyes at the snoozing feline, scratching it under the chin and the twitch of miruku’s ears tells him that he’s been acknowledged as a rival. 

so be it. 

“how come this cat gets away with everythin’ ‘nd i don’t?”

nagi whines into your neck, watching with darkened and narrowed eyes as his feline opponent hops up onto the couch to join you both in your late night cuddle session. miruku makes his presence known, pushing his head under your chin affectionately and clawing at the fluffy blanket draped over you and your boyfriend. you obviously find it adorable, your hands slipping from seishiro’s soft white hair to tickle just behind your pet’s ear— completely discarding the man tucked into your side. 

“what are you talking about, sei?” you mumble absentmindedly — missing the way the striker squirms in his seat and squeezes you close by the waist, as if to pull you away from the offending kitty.

seishiro grumbles out a response. “he gets to sleep in, but when i do it, it’s a bother. same for when he gets in the fridge too, and when i nap on top of you—“

“stop complaining about him, sei. miruku is just a baby!” you scold your boyfriend, hugging your kitten to your chest, cooing down at him as if he really is a baby. nagi seethes from beside you, that should be him in your arms and not some cat-like freeloader from the streets. miruku blinks up at the white-haired pro player slowly, his mouth opening in a petty meow that almost makes nagi hiss back in response. 

“i’m supposed to be your baby.”

“and you are! but you’re just a little more self-sufficient than my precious lil’ kitty— he needs me to take care of him.” 

“why don’t you just take care of me? cats are s’pposed to be independent,” seishiro nuzzles into your neck, his lips still pouty against your skin and you’d be a liar to say you weren’t overwhelmed with affection for your two boys. “‘n looking after the two of us must be a drag…” 

rolling your eyes, you turn your head to capture nagi in a surprise chaste kiss just to sate him— brushing your lips over his delicately. “i do take care of you, seishiro. some might say you’re a little spoilt with how much i do,” smiling into the kiss, you scratch your nails through his scalp in the way that he likes, a lot similar to your feline friend before jumping up from the couch with a clap of your hands. “now which one of my boys is hungry?”

miruku is promptly shooed to the floor beside a frustrated nagi left without your warmth. the pair share a brief moment of eye contact as your boyfriend runs a hand over his face in annoyance. 

“i hate you.”

“meow.”

the final straw for nagi is the night your cat makes it into the bedroom while you’re having sex. 

he’s pent up, training has been more intensive than usual and all he wants to do is come home and lose himself in you. you let him, falling into the sheets with seishiro nagi, your hands lost in his sea of perfectly soft white hair, your mouth on his, your legs wrapped around the small of his waist as he sinks into you for the first time in a long time. you share a moan, muffled by nagi’s tongue working it’s way down your throat and his entire body weight thrown over you. 

somehow he manages to tear through your clothes, tongue hungrily lapping over your pert nipples while you tug his aching cock free from the confines of his shorts. tears sting at your waterline as nagi presses into your cunt without much prep. he’s so big, you feel as though he might already be kissing your cervix without even moving and you tug hard on his hair at the feeling of nagi twitching within your walls.

“s-sei, god. fill me up s’good—!”

he cuts you off with a throaty moan, eyes rolling back as he gives an experimental thrust. “s’no fair…s’pretty. so tight around me, fuck, angel…”

the moment is perfect, he’s dizzy with love and desire and all caught up in the heat it all… that is until your stupid fucking cat starts screaming bloody murder from outside your locked door. 

“leave it,” seishiro grunts, pawing at your sides and languidly rolling his hips into yours. “s’probably nothin’, angel.” 

you gasp and nod, delirious with ecstasy and pull him closer but miruku seems to whine again— scratching pathetically at the door. “sei, what if—?” 

“he’s fine, jus’ focus on me, pretty thing.” and for the most part you try, you let nagi have his way with you— let him pin you to the bed and make you see galaxies and you’re both about to burst when he swears to the fucking stars he feels that cat’s paw between his balls. 

he doesn’t remember what happens next, just that he sees red or turns it and you are equally as embarrassed— shuffling out of the room to deal with your pesky cat, draped in one of sei’s spare hoodies. 

that’s when nagi decides he’s had enough. 

his final plan isn’t to get rid of miruku but instead to steal your attention away from the dumb animal. 

nagi puts a little more effort into cleaning up himself and the house for you once he gets back from practice at blue lock ( after multiple face times to barou and isagi, reo and others ). he stops by a flower shop and puts together an arrangement that he thinks you’ll like because the colours remind him so much of you. 

when you come home, your eyes light up at the bouquet on your sparkling countertops and the sight of your boyfriend lounging around in your kitchen on his phone. “baby, did you get these for me?” you swoon. 

“yeah. on the way back from practice i went to that flower shop you always talk about.”

“sei, that’s not even on the way home,” you smile and his heart flutters in his chest. “you didn’t have to go out of your way for me.”

nagi bristles with happiness as you make your way into his arms of your own accord and hide your face in his toned chest. “i’d do anything for you, angel,” he mumbled into your hairline and uses a finger to tilt your head up for a gentle kiss, quickly distracting you from miruku who’s jumped up onto the counter. “missed you, s’much.” he knows exactly what he’s doing when he presses his cock between your thighs, dropping his lips to your neck wetly. 

“m-missed you too, sei but…gotta feed the cat…” 

your kitten purrs at your side but seishiro rolls you over, nailing your hips down to the countertops and grinds into you feverishly. his plan is working. 

“no buts, need you. god… s’not fair bein’ away from you f’so long. baby…fuck.” he’s whiny and needy, grabbing handfuls of your ass to slide you back and forth on his growing erection so that you become putty in his hands. you’re so lightheaded that you don’t even hear your cat meowing for your attention— clinging onto nagi’s broad shoulders for dear life. “unless you want me to stop?”

you blink up at your boyfriend, teary eyed and ravenous— for once not reaching out instinctively to pet miruku but instead reaching up to tug on seishiro’s soft snowball locks and bring him down to your height. “i don’t want you to stop, seishiro,” you growl, your voice dipping into sensual and sultry territory. “i want you to fuck me.” 

“can do, angel.” he coos, letting you drag him by the hand towards your shared bedroom.

nagi throws a smug look over his shoulder at your unhappy cat, grinning from ear to ear as miruku hisses at him in defeat.

nagi: 1 - miruku: 0

[roxirinart]

Aventurine... You've Gotta Hand It To Him

An in-depth analysis of Aventurine's hands and why they're critical to his character.

Was asked if I could post this (VERY LONG) analysis I made all about Aventurine's hands - niche, perhaps, but I love him very much and he has a LOT of focus placed on his hands in almost every aspect of his story/design! I think it makes for a really neat insight into his character. Let’s go! 2K words or so so we're under a 'read more', folks :P Hope someone finds it interesting :)

Content warning for (very brief mentions of) sexual theming and violence.

I MIGHT be reaching with some of this but I tried to make sure everything was in order, so if there are any inaccuracies lmk! I'm Always on the lookout for more valuable Avencheem lore 😋

The Avgin - Culture and Symbolism

Kakavasha was born 'blessed' with unnaturally good luck by the Avgin goddess, Gaiathra Triclops, who is often depicted as a left palm with three eyes upon it. If we assume that therefore, someone’s left hand is representative of Gaiathra, then we can draw some interesting conclusions! 

When reciting Gaiathra’s prayer, the typical accompanying gesture is for two participants to put their left palms together while saying it, which - by ‘covering’ Gaiathra’s eyes with each other’s palms, they are (as per the words of the prayer) ‘keeping their schemes forever concealed’.

In the version of Aventurine’s boss form that was removed from the Divergent Universe, he has an attack that changes name for each phase of the fight, as follows:

Phase 1: “Eyes Once Closed for Lies”, 

Phase 2: “Eyes Twice Closed for Trickery”

Phase 3: “Eyes Thrice Closed for Schemes”. 

This suggests that the symbolic act of Gaiathra closing her eyes is blessing the person in question not to have their lies, trickery, or schemes revealed - “I do not perceive it, nor shall anyone else.” This is important to the Avgin, as they seem to have a cultural focus on underhanded methods of achieving their goals, although this was blown greatly out of proportion by prejudice from other Sigonians, and (later) the wider cosmos. The game’s loading screen description of the Avgin is as follows:

“‘Avgin’ means ‘honey’ in the Sigonian language, yet those who irrationally fear Avgins unjustifiably distort the word's meaning to perpetuate Avgin stereotypes that portray them as crafty, smooth-talking, and capricious.”

Sparkle, when talking to Aventurine, also describes the Avgin as “...notorious throughout the entire universe! Liars, thieves, social manipulators, wolves in sheep's clothing... You're really living up to the reputation.”

The Avgin’s reputation as essentially ‘evil’ people, and the clear cultural and religious importance they place upon one’s left hand specifically, can reveal some interesting things about them (and therefore about Kakavasha):

In the real world, the left hand is very commonly considered to be the ‘wrong’ or ‘evil’ hand across many religions and cultures. The word ‘sinister’ (which may be a good descriptor for Aventurine’s behavior, or at least peoples' perception of him given how other characters react to him during the main questline) comes from a Latin word that means ‘on the left side’.

The French word for left, ‘gauche’ was borrowed back into english to mean ‘lacking social grace’ - and with Aventurine’s way of getting all up in peoples’ faces, grandstanding, being provocative, etc., it seems that ‘gauche’ isn’t a bad descriptor for him, either.

In the early 20th century, left-handedness was identified as ‘a biological anomaly, associated with deviancy but something that could be corrected away with behavioral reinforcement’.

Likewise, in the middle ages in England, left-handed people were more likely to be accused of witchcraft and burned at the stake. Sounds familiar when compared to the way Sigonia treated the Avgin - as evildoers, tricksters, backstabbers, etc.,

If the Avgin were so ‘left-handed’ in all senses of the phrase, then… perhaps the ‘behavioral correction’ they received could be justified...?

It is reinforced several times throughout both written lore and during gameplay that the Avgin’s beautiful appearances and high emotional intelligence were a source of jealousy to other clans and races, hence the perpetuation of the Avgin’s negative reputation - one that Aventurine ends up playing into, often intentionally.

Why bother trying to change the stereotype if he can use it to his advantage? Besides, it’s not like getting rid of the Avgins’ negative rep will help them now, anyway.

All this is to say that the concept of hiding your true intentions with your left hand - ‘keeping your cards close to your chest’, ‘bluffing’, ‘having an ace up your sleeve’, knowing when to ‘show your hand’ - is a huge overarching theme for the Avgin, and therefore for Aventurine.

Notice that a LOT of sayings to do with hiding things from others or manipulating people’s impressions of you and what they think you might do come from poker or other card games! I can’t think of any universe where the devs did that by accident. Nice work, devs!

The Left Hand

‘Sleight of hand’ is the name of Aventurine’s game, and he sure knows how to play it. ‘Sleight’ means “the use of dexterity or cunning, especially so as to deceive”, so naturally the suffix ‘- of hand’ brings Aventurine’s hands to the forefront as one of his main tools of the trade!

However, the devs once again outdid themselves - each of Aventurine’s hands is representative of parts of his character in very different ways.

Everything about Aventurine is designed to cleverly divert attention away from his real thoughts and feelings.

I’ll get the obvious out of the way: Aventurine’s left hand (as previously discussed) is critically important to his character. It represents so many things for him both visually and otherwise.

If you’re a regular Aventurine enjoyer it’s likely you know about his habit of hiding his left hand behind his back when he’s nervous or making a big (or life-threatening) gamble - but why?

He’s specifically hiding Gaiathra’s hand. I don’t think it’s a coincidence; Aventurine - by hiding away what is essentially a physical representation of his goddess - is ‘closing her eyes’, so he cannot be seen through (even if it’s purely subconscious).

He wants people locked onto his gaze and away from the hand he’s clutching Gaiathra’s ‘blessing’ of good luck so tightly with. (Note: the ironic nature of Aventurine’s relationship with his cursed blessing isn’t lost on me, but that’s another day’s essay. :))

This habit of hiding his left hand behind his back is (once you’re looking for it) very common in the majority of his animations, art, cinematics, and other various media, like in his character trailer when he’s about to reveal the result of his big dice roll; in a specific animation during his bossfight, where he’s actively banking on losing so he can carry out his ‘grand death’ (‘clutching his chips for dear life’, as his future self put it…); the idle animation where he’s fidgeting with one of his poker chips; or in the ‘Final Victor’ light cone, where he is playing russian roulette with his own life just to prove a point to Dr. Ratio (which was a little excessive, perhaps…).

Usually, having a hand behind your back is considered to be suspicious: you’re hiding something, perhaps a weapon.

And for Kakavasha, out of fear and knowing it’ll give him the upper hand, he hides his own weapon behind his back: the physical representation of all his schemes, strategies, lies, trickery, and tactics - and the last Avgin palm to touch another’s.

Perhaps in relation to his particularly strong connection with Gaiathra, Aventurine is also left-handed! Evidence? Sure!

As a general ‘fashion rule’ (and for practicality), wristwatches are worn on the non-dominant hand, and someone as fashion-conscious as Aventurine would very likely be aware of this. His watch is on his right wrist.

Additionally, he wears no rings on his left hand because writing or similar activities would be a pain to do with that much jewelry on. Further evidence can be found in this phone wallpaper of him released by Hoyoverse: he’s holding his phone with his left hand, and people usually operate their phones with their dominant hand. Similarly, in one of the many videos on the Hoyoverse YouTube channel (I’m sorry I don’t know which one it’s from), he goes to grab his tablet off the bedside table with his left hand, too.

The Right Hand

Aventurine’s character is, at its core, is all about defense. Protecting himself from harm, shielding his thoughts and feelings from others, creating an impenetrable barrier of flashy clothing and fake smiles to conceal his true self - this all presents in his moveset in battle, too.

He’s a preservation-class, shield-providing character. The critical thing to note is this: his defense all happens on the right hand. This includes his skill (throwing out chips with his right hand to shield his teammates), and his technique, which generates an additional shield for the team before the start of battle. 

His right hand ‘shields’ him both literally and metaphorically in this sense. He wears all his rings on his right hand, because that’s the hand he wants you to focus on, the pretty, sparkly one with all the flashy jewelry and expensive wristwatch, the one that’s extended for you to shake (he shakes with his right hand), the only part of him most people get to touch. A part of the body furthest away from his heart, dazzling and defensive.

The outermost, superficial layer.

It’s the hand that more often performs captivating little coin tricks out in the open to catch people’s attention, keeping them focused on something that’s within his control, because so much of his life isn't.

On The Attack

Here’s the kicker though - this makes his left hand the attacking hand. When push comes to shove (or when he feels he needs to strike first), Aventurine lashes out with Gaiathra’s hand.

As mentioned before, his weapons are his schemes, his secrets, his tricks, his lies - and the hand holding all those chips so tightly is his left, the lucky hand, the one that has brought him success and saved his life time and time again.

Ultimately, it all comes down to relying on his raw luck to push him through (whether he's happy about that or not) when all his other methods of attack have been stripped away - and his hand trembles, because having to make a blind bet that his goddess (who did nothing to stop his family being massacred, yet is both cruel and benevolent enough to keep him alive) will save him yet again must be really fucking terrifying.

When Your Hands Are Tied...

Looking at both hands together, a design choice which I believe to be deliberate is the way he has bracelets of some variety over both his wrists. It’s a subtle imitation of manacles; he may have escaped his iron ones, but Aventurine now lives in golden handcuffs instead, bound by social shackles instead of physical ones.

He’s still a slave - just not in the traditional sense.

To my understanding (someone please correct me if I'm wrong, his timeline has some annoying gaps in it even though I tried very hard to figure it out ;-;), technically Aventurine legally belongs to the IPC.

He killed his most recent owner and so escaped his that particular ownership, sure, but when he barters with Jade, he asks her to pay him the ‘remainder of his market value’, which insinuates that it would therefore give him ownership of himself.

However, Jade doesn’t simply hand over the money: she pulls him into a job contract - a new form of imprisonment - without ever giving him real legal autonomy, never officially declaring him a free man. His hands are invisibly tied - bound by corporate and social 'manacles' to his job.

"Out, Damned Spot!"

Speaking of manacles, let’s talk about the ‘Hunger Games’, shall we?

Kakavasha is, at some indeterminate point, entered into a spectator sport where he is forced to fight thirty-four other slaves to the death.

It is mentioned that he has no other weapon than the bindings on his wrists and the chain between them - and he emerges ‘victorious’ (physically the victor... perhaps not mentally or emotionally, though).

In the quest notes during Aventurine’s (literal) trip through the maze while he’s making his way to the stage for his grand finale, he describes himself with the word ‘murderer’, showing that he’s clearly distraught by what happened and resents himself for it. 

Following on from this, a possible interpretation of the design choice to have Aventurine wear gloves is for him to (figuratively) hide the blood on his hands.

Aventurine’s gloves simultaneously create a literal barrier between himself and the world, and work as another piece of fancy clothing to add to his impenetrable, sparking defense. The closest match I could find to the style of Aventurine’s gloves are short dress gloves or wrist gloves, which are specifically fashion items as opposed to practical ones.

(As a cheeky little aside, the absolute closest style match I could find for his gloves are latex or leather womens’ gloves most commonly used in BDSM, which is fun! Maybe I’m reaching, but I like to think it’s a subtle way of making him more effeminate - and in Aventurine’s case, therefore a subtle call to his sexuality imo - and also another little detail to help push his ‘provocative’ appearance and demeanor.)

Conclusion

Our hands are how we interact with the world. In Aventurine’s case, they’re how he keeps the world pushed as far away from himself as possible, all the while gripping onto his ‘good luck’ for dear life.

Aventurine’s hands are his weapons, his shield, his faith, his fear, and his guilt, decorated with jeweled rings and bound in golden handcuffs.

Ultimately, when Aventurine offers to lend a hand to the Trailblazer, when he shows Sunday his hand (and a bit more besides) during their meeting, and when he forces Acheron’s hand during his bossfight, it's so that his own hands are free to do whatever he needs to orchestrate his greatest scheme yet...

...for better or worse.

[biscuitdolly]

୨ৎ my favourite workouts .ᐟ

01, PRE-WORKOUT .ᐟ

this is optional, but for me, i have very limited flexibility in my legs. flexibility exercises (like the one above!) were recommended to me by my physio! if you're the kind of person who cant touch their toes or can't put their feet flat on the ground whilst doing downward dog, this might be something you want to try!

02, BACK POSTURE .ᐟ

having good posture will not only drastically help you in the long run, but is also a super attractive trait that people tend to take notice of! this workout is probably my favourite and the one I've seen the most results from. I know a lot of other people on this app have recommended it too!

03, INNER THIGHS .ᐟ

hinafit 😍😍 love her. she posts a lot of pilates-style stuff too, if you want to check her out! i love this specific workout by her, i could really feel it working as i was doing it!!

04, SILENT .ᐟ

as someone who lives with other people, i love a silent workout. however, sometimes it can be hard to find silent workouts that actually give you results. this one works so well for me!!

05, FULL BODY .ᐟ

If you're interested in longer workouts, i literally cannot recommend this one enough!! it definitely is pretty exhausting so make sure to drink water and rejuvenate with food!

05, TUMMY / ABS .ᐟ

this ones super easy but super effective

i will definitely post a more in-depth and updated list later down the track, but i hope you enjoy this for now!!

[elbiotipo]

Worldbuilding in Flat Worlds

Oh, so you think I can't do worldbuilding on flat worlds?

So, you might or might not have run into my rather hyperbolic advice that the first rule of worldbuilding is placing your equator. I still stand for it, and one of these days I would like to expand on that… But many on the notes have asked, and this is fair since it's worldbuilding: what about if my world is flat? Or a cylinder, or a ring, or other such shapes? While I can't cover every shape here (though I would like to try, eventually) I can tell you one thing or two about Flat Earths, Flat Worlds, Disc Worlds, however you would like to call them, and how you can do worldbuilding on them. You will be surprised at how much myth, fantasy and science fiction can mesh here. I apologize in advance for the lack of hard numbers in such things like gravity and orbits, but I can expand if you'd like.

This is going to be a LONG post, so more, way more, under the cut:

First of all, of course many cultures have thought of the Earth as flat, it makes intiutive sense. But this idea wasn't only about a flat Earth as a disc in the middle of nothing. This belief was also accompanied by many other beliefs about the sky, and what's under the earth (while I don't want to generalize, you see this sky-earth-underground motif in most cultures) and how the gods or God shaped it; so, not only the shape of the Earth, but the entire universe, a cosmology. While I could go into much depth on various cosmologies around the world (though I suggest you do!), I will explain the two "flat earths" that are more familiar to us in the Western world; the Hebrew and the Greek cosmology.

They usually don't teach you the cool lore in Sunday school.

So, what we see in the Hebrew cosmology is a flat earth, yes, but with a firmament that, unlike some might think, does not separate the heavens (as in sky) from the Earth, but rather creates a "vault" with Earth inside from the primeval ocean, as the firmament IS the sky. As you can read in Genesis 1:6-8, in the second day of creation, God divides the waters "under" and "above" the firmament. This idea of a primeval, chaotic ocean from where the creator God(s) create the world is a feature of Mesopotamian mythology (as well as many other unrelated mythologies), and I would love to expand on it, but let's focus on what the "flat" Earth looked like to the ancient Hebrews. You have a flat earth with the foundations on an endless abyss of water, which goes all around the firmament, an inmovable (the Bible mentions this several times) sky where God placed the Sun and Moon and stars to illuminate the Earth, and floodgates where the water for rain, hail and snow (and also the Great Flood) came from. And also Sheol, and the abyss of water, which along with the "heavens" in or beyond the firmament, take into more spiritual characteristics. I could go on, but as you can already see, this is a very complex cosmology, far from a single flat disc floating on nothingness.

The world according to Homer (the other one)

Let's move on to the Greeks. Now, the ancient Greeks, like Homer, initially seemed to believe in a flat earth, with many parallels to the Mesopotamian (and Hebrew) conception of the world, with a firmament and a landmass surrounded by (or floating on, as per Thales who believed EVERYTHING WAS WATER) an ocean with Greece as the center (see below). However, this conception evolved over time. Anaximander imagined the Earth at the top of a cylindrical, inmovable pillar, but more interestingly, attempted to explain the movement of the Sun and the Moon, believing them to be, to quote Wikipedia, "circular open vents in tubular rings of fire enclosed in tubes of condensed air" surrounding Earth. This idea was later refined by Plato and Aristotle as 'celestial spheres' as paths for the planets (this included the Sun and the Moon) to wander. This concept was further explored by Plato, Aristotle, and many more, to extend to the rest of the planets (which also included the Sun and the Moon), as objects moving across "celestial spheres" inside an sphererical firmament. At this point, Greek philosophers were already thinking the Earth was some sort of sphere, even if only because a sphere was considered the 'ideal' shape, but also because they had started to notice that the Moon was also spherical, boats went under the horizon, and the shadow of Earth during eclipses was round, among many other things that current Flat Earthers don't care about. Eratosthenes was the first to calculate the sphere of the Earth with remarkable precision (you probably know this story if you've watched the old Cosmos with Carl Sagan), and from there, it was mostly accepted in the Hellenistic world that the Earth was in fact round. It was finally Ptolemy by his incredibly detailed astronomical work for the time who finally cemented this system of a round (NOT FLAT!) and unmoving Earth as the center of the universe and the celestial spheres.

The Ptolemaic Universe. Not flat! Notice that the sphere right above Earth is on fire. This is because Earth was believed to be composed of the most base classical elements (Earth and Water), surrounded by a sphere of Air, and then later the sphere of Fire where the Sun orbited. The rest of the spheres were often associated with "Aether" or "crystal", but that's for another time.

As a note, as the Hebrews entered in contact with Hellenistic and later Roman civilization, they also adopted the concepts of the round earth and the "celestial spheres", which meshed really well with the concept of "the heavens" and the "circle of the Earth" mentioned in the Bible. With the rise of Christianity, this fusion of biblical and hellenistic cosmology endured for a long time. It's a myth that medieval Europe thought the Earth was flat, they all knew and teached the Earth was round… and fixed as the center of an universe made up of celestial spheres inside an spherical firmament of fixed stars. That concept endured much longer in Western thought, but that's for another time.

One interesting thing about flat earths in ancient cosomologies is that they often took the form of a circle, and that circle had a center. The center of the world. For the Greeks, it was the Omphalos stone in Delphi (this is where the expression 'navel of the world' comes from). For the Hebrews, it was the Temple at Jerusalem, and later medieval Christian maps (the T-O maps) set Jerusalem as the center of the world. This concept of a 'center of the world' in comparative mythology is called 'axis mundi', and as you can see, it takes particular importance in a world that is believed to REALLY have a center.

So, why the history lesson? It's fun, it might give you some ideas, but mostly it's to show you that the concept of a flat earth does not only imply a flat planet (indeed, the vision of Earth as just another planet took long to arise), but also a whole cosmovision of the world around it. To be fair, our current understanding of the universe, with round planets orbiting stars and galaxies and the Big Bang IS also a cosmovision. One based on scientific observation and understanding, but cosmovision nevertheless.

But perhaps what you wanted with a worldbuilding post is a world that is flat. Like a regular planet, just shaped as a disc. Let's discuss that. First of all, is such a thing possible to arise naturally? Most probably not. While I'm sure there might be at least one exception by some freak accident in the universe, maybe more, as a rule gravity tends to compress large objects into spherical shapes. A disc would eventually break up and become an asteroid field, or it would spin and bulge into a 'pancake shape' and eventually an oblate spheroid object, with a big equatorial bulge (yes, I'm going to use the word bulge a lot here). This shape might actually be common in many fast-spinning objects (that don't break apart) across the universe, and in fact you can find it in stars such as Achernar. Earth itself is a geoid, flattened at the poles and with an equatorial bulge (told you).

However, this does not mean that flat worlds are impossible. You could assume that the gods, or an ancient alien civilization (there's a lot of overlap here) made this disc of an indestructible material. How would such the dynamics of the world work then? Finally, here, is where our worldbuilding gets interesting…

Gravity:

Gravity on a disc would be very peculiar. To make a long story short, it would be stronger at the center and weaker at the edges, with the gravity pulling towards the center, which technically is the pole (I'm going to say South Pole because I'm from the Southern Hemisphere). So, if you threw a ball, it would be pulled towards the center/pole rather than the edges, and this pull would be in a perpendicular way, decreasing the farther you go from the center:

A very ugly drawing of an speculative flat world, with a core made of ~magical~ indistructible material, covered by earth, water and air. Note the direction of gravity and how water flows into a bulge on the center.

This would make for some curious effects; water and air would inevitably flood all the way to the center of the disc, where it would make a bulge, the sea level raising in a notable way there. One way to avoid this is to make the disc spin on its center, like a roulette, the centrifugal force of such a spin would make the gravity spread to the edges. Unfortunately, it's hard to calculate how fast would it be needed for it to 'even out' gravity in the whole disc. I can be sure it would be enough to tear normal worlds made of rock and metal apart, so this flat disc would have to be made of a strong, magical material (which really works well with the mythical 'God set the foundations of the Earth' motif)… or a complex structure of orbital rings inside (ultra-advanced tech artificial structures that transport matter in an opposite way to the spin, generating enough momentum so it doesn't pull apart), or some other kind of exotic matter. The spin would probably would not be noticeable to the inhabitants of the disc in their day to day lives, though, as the 'fixed' stars would move, I'm sure the inhabitants would incorporate in their calendars.

One important thing to remember about gravity is that it's not based in the size of an object, it's based on mass. You could have a (regular) planet smaller than Earth, but with the same gravity, so long as the mass was denser. Similarily you could have huge planets with Earth-like gravity as long as the inside is less dense (bubbleworlds, another thing I'm dying to talk about). So you could have, for example, a disc the size of Earth made of a magical or ultra-tech material (let's call it Newtonlith) where certain places inside the disc would be dense to create gravity fields inside the disc. In a normal setting, this would break it apart, but perhaps, if it's in a form of a spread out gradient, it wouldn't. This would have some very odd effects, which I leave to the reader to imagine.

(I'm of course, dismissing stupid concepts from modern flat earthers such as "Earth perpetually falling down" or "gravity doesn't exist", but I have to say, they do have some wacky worldbuilding)

The Edge and The Other Side:

So, if you get to the edge, gravity would feel strange, making it harder to you to keep going since it's pushing you perpendicularily to the center, until you actuall walk into The Edge, and gravity would feel level. It would be like walking on the oustide of a wheel. However, it's hard for me to imagine what this "edge" would look like. Assuming the disc spins, I would expect the edge to get thinner and thinner, smoothing out rather than being like a sharp "coin-like" edge… or, if it spins fast enough, in fact, more of a sharp cliff or, how could I define this? "Horizontal mountain chain". However, again, we're also assuming this whole thing is made of some magical or ultra-tech material, so the edge might as well be a flat expanse imposible to erode, like a coin edge, which might let you, quite literally, walk around the circle of the Earth. In fact, some enterprising civilizations might make a railroad or transport system all around the circle. Another thing about the Edge is that, because all the water would go to the centers of the disc, it would be very dry, and it also would have winds constantly circulating in the direction of the spin. No wall of ice, at least not as I imagine it; as we'll see later, the temperature on a flat Earth would be rather uniform unless there are other conditions affecting it.

One important thing is that, assuming this is a disc *floating* in space (no elephants or turtles…), is that the other side would be as habitable too. Remember, this case is actually one where the centers of the disc are two poles, and the edge is actually the equator! (HAHAHAHA, TOLD YOU THE EQUATOR WAS IMPORTANT, EVEN IN FLAT WORLDS) So yes, you could, in a way or another, cross over the edge (the equator!) to another whole new world, cross over to The Other Side. Assuming, of course, they get light and such, which is the next point…

Before that, though: regarding horizons; no, there wouldn't be a horizon in a flat world. You could see pretty much all the way until something like mountains block your sight. It's hard to find good estimates on exactly how far though, but humans can make out faint details up to 3km away in good conditions (coincidentially, that's around where the 'horizon' is in our Earth) and lights up to 48km away. Insert your joke about Legolas here.

Orbits, Day, Night and the Sky:

How would day and night work? There are Options.

Again, assuming our magical/ultratech indestructible disc, it could spin on an axis so that each side faces the star it orbits, like a spinning coin. This would be a weird thing, especially if the planet already spins on its edge/equator, but not physically impossible. The orbit of Uranus is similar, with one pole facing the sun during summer and the other during winter, but that means an almost century long day in its case (a year in Uranus is 84 Earth years) and a similar long "day" in an Earth-like orbit. But if this world was created to spin much like Earth, there won't be that much difference between our day and night. You could even tilt it to simulate seasons.

An example of the movements of a flat world given the above; rotation on its axis (that is, the center of the disk, rotation in another axis "like a coin" to give night and day, and revolution around a star. I also went the extra mile and gave it a climate like I will discuss later: a parched edge without water, with increasingly rainy desert, savanna and rainforest as you get to the center, and at last the central sea with a perpetual storm.

But I digress. You probably aren't here for a boring normal planet that orbits a star, no, no. You want the full mythical world experience, you want a world where the Sun and the Moon spin around the circle of the Earth, and fuck Copernicus. Let's leave aside what those 'luminaries' actually ARE for now, they can be some sort of magical tech objects or literal gods. How would that work?

You could have two kinds of luminaries here. The clever folks at the Flat Earth Society imagine a sun and a moon hovering over the Earth, spinning in a circular orbit about what we call the equator (in our round Earth, of course) as some sort of giant spotlight 32 miles across and a few thousand kms away, jumping and falling out of view, as I understand it. Same with the Moon. For a more classical approach, you could also have a sun and a moon orbiting your disc, which would be interesting, as the other side of the disc would also be illuminated while the other one is dark (in many ancient myths, the sun went into the underworld at night)

The two ways you could have mini-suns: either hovering above your disk or orbiting it. I was too lazy to make a graphic, so thanks to the Flat Earth Society I guess.

Like I said in the beginning, I haven't done the calculations on how such orbits would work, other that they would be complex, and not natural or stable at all. But after all, suns 32km across that hover over a flat world aren't exactly natural. If there is a place to insert gods and magic shit, this is one, though a fusion or black-hole powered spotlight that completes a very complicated orbit following ancient programming is also an option depending on what kind of setting are you doing. You could watch some videos of people debunking actual flat earthers to get a few ideas on how they explain the whole sun thing (spoilers: they just don't believe in eclipses, which indeed would be impossible here, unless magic is involved).

Both options have VERY important implications on the climate. The first one, with a disc orbiting a star and spinning to get day and night, would mean that the disc would get the same amount of light all over it, thus having the same overall temperature, without any latitudes. The second one(s), depending on the orbits of the suns, means you could have "tropical" areas and cold areas depending on where the sun's "spotlight's" points, either as a regular orbit over an equator, or a more complicated one that might not correspond to what we would expect. Funnily enough, Terry Pratchet's Discworld's sun has such a complicated orbit it's never really explained, it even crosses the legs of the elephants upholding the Discworld sometimes.

Speaking of which, THE Discworld of course moves across space on the back of 4 elephants standing on the shell of Great A'tuin (awesome name for your Torterra in Pokémon btw), and its movement is apparently so significant that the astrologers have to regularly change their zodiacs. And indeed, a flat world would also move around its galaxy if it existed, and carrying its own fantasy sun, it wouldn't need to orbit any star to be habitable. Our own Sun is moving with our entire solar system on tow (or rather orbit) at a speed of, holy shit I had to look this up, 828,000 km/hr. However, even at this speed, the stars seem fixed to us, a whole spin around the center of galaxy (a galactic year) takes 225 million years. Still, the stars are moving like us, in fact, some constellations are in slightly different positions from ancient times, just not at the pace in Discworld.

As a final note, I believe a moon with enough gravitational pull would cause tides as it orbits the flat disc much like on Earth. Would be funny if an actual normal moon like ours orbited a flat world, with a small sun on inside its orbit (not too far from the Ptolemaic universe, actually)

Geology and Climate:

Like I said, we're assuming this flat world is made of either some sort of ultra-tech exotic matter, or was just straight created with magical material. So you would think geology would be pointless to discuss, right? Not so fast. There's some assumptions we can make. First of all, there would be no plate tectonics. Plate tectonics, of course, need an active mantle and core, which a flat world just cannot have at least on the size of Earth. So no earthquakes or volcanoes, unless there's magic involved (Terry's Discworld, which is based on Hindu mythology, played with this by having the elephants holding it up move ocassionally, causing earthquakes) So, a world with less natural disasters, wonderful, right? Sure, but in the long run (millions of years), it's tectonic activity that keeps the Earth alive, replenishing CO2, moving the continents around stimulating evolution and changes in climate and the water cycle. This can be replaced by some magical means, though that means that Something Magical is doing Stuff in your world, (you know, besides the whole flat world thing) and you better contemplate what does it mean for your setting/story. Similarily, one strange thing about geology in flat worlds is that, as mentioned, assuming gravity points to the center(s)/poles, there would be a pull towards there, so mountain peaks would be taller and pointing towards the edge of the disc, and as we will see below, also face greater erosion from there, as the winds and water would also move towards the center/pole.

What about climate? That one depends on how your light sources work. But in general, without poles or equator (well, they exist, but you know), the whole disk surface(s) would recieve equal light all year. Which means no seasons and not climate variation. Seasons are possible by tilting the disc, but overall, the climate in a disc world would be stable. Or would it? By the sheer morphology of a disc, not only water would flow into the center, but also air, and in the case of a spinning disc, it would spin into it. Air would flow into the center into powerful winds: how powerful? Difficult to say, but perhaps geography like mountains and hills could moderate them. If there was no spin, I imagine both water and air would accumulate in a large inner sea (as water would, in one way or the other, flow towards it, and water cannot be denied) and high pressure which could be an odd bulged sea with surprsingly calm weather. However, there's another option. Astronomers have studied tidally locked worlds, worlds where one side faces their star all the time. In this case, the convection currents flows from the light side flow to the dark side, creating strong winds and perhaps, assuming there is water, a perpetual storm in the light side. This has a parallel in our case, as the air in a flat world will all spin around the center, with no other way to go, and with it, it will be where all the heat and energy of the atmosphere (atmodisc?) accumulates. In this world, the center of the world (or at least, this side of it…), the axis mundi, would be the eye of a gigantic eternal typhoon.

OOOH DISCWORLD I'M HOWLING TO THE MOON

What would geography, life and culture be like in such a world, given all the things I've told you? Well, that's the most fun part. It's up to you to imagine it. I personally don't find flat worlds all that engaging (sorry, Terry), I feel more comfortable with my good old spherical worlds with tropical latitudes and all that, or other more futuristic stuff things like ringworlds or Dyson spheres (which I hope to cover in another post). But I hope I gave you enough information and ideas so that the ones you might create are both original and believable.

Thank you for reading this, I hope you enjoyed it and it inspired you to do some worldbuilding! If you would like to see more, I would be VERY grateful if you gave me a tip and some suggestions in my ko-fi below, especially as my country here in the other side of the disc is under the rule of a libertarian fascist idiot, so every little help does indeed help a lot! Follow me and stay tuned for some more wacky worldbuilding and rants about the Southern Hemisphere.